Battle Sister is a single-player campaign shooter, the likes of which Quest fans have been clamoring for over the past few years. You play as a member of the titular group and wage war against people in big red shiny armor and lunatics in gas masks.
While Sisters VR is not an actual game, per se, it still has the ability to terrorize you thoroughly. It does this by putting you, the player, directly in the midst of a haunted house in an immersive and interactive degree setting. According to legend this house was once home to two sisters who one day vanished without a trace. Are you brave enough to spend the night? Instead Sisters is a virtual reality experience where you are in the center of action.
Most virtual reality content experiments to date have been focused on spectacle, deed to capture the truly bizarre experience of being transported to another dimension. But if VR is going to take off, and become a viable read: commercial entity, it needs more than the fleeting "wow" factor.
VR for the big leagues will require people with compelling narratives, advanced computing skills, high-level de talent and an imaginative flair for bringing other worlds to life. But they might just have what it takes; the team will premiere its work at the Sundance New Frontier Lab in Utah this week.
How it begins
Culver City is a serendipitous place for Otherworld Interactive to have landed. Exactly years ago, Thomas Ince set up his silent movie studio on a lot that became part of MGM and is now Sony Pictures, just two miles from Otherworld Interactive. Since the earliest days of silent cinema, Culver City has sisters vr walkthrough crazy ideas, a tiny few of which became multi-million dollar entertainment businesses.
The surrounding area is now full of start-ups in the emerging tech space, madly inventing the future from low-rise, sand-colored, unmarked buildings. The company uses a roster of freelancers, depending on project requirements, but is essentially a lean operation of co-founders Andrew Goldstein and Robyn Tong Gray a third USC alum co-founder, Michael Murdock, decided to spin out one of their game properties into a separate company. There are zero investors, and that's how they like it for nowas it gives them creative freedom and the option to use whatever platform they want.
Both graduated USC with VR projects under their belt, got a few client commissions—including one from The Bales Family Foundation to create Share the Sciencea mobile VR education app focused on climate change—and haven't looked back. One day, because of VR, I'll be able to sit in my apartment in L. VR will enable people to see the wonders of the world, but also to escape to places that don't really exist, like J. Tolkien 's world, where a dragon flies by you, or explore the different laws of nature inside Harry Potter.
Robyn and I literally have mad sessions that start with, 'Wouldn't it be cool, if? It can be used for simulations for training firefighters or dealing with PTSD for veterans, and there are tons of industries which will be transformed by it. For example, my year-old Chinese grandfather was an architect, winning several awards for his work, including On Lokone of the original retirement communities for the elderly population of San Francisco's Chinatown.
He's a little hard of hearing and has poor eyesight but still very with it. I explained to him how architects in the near future will create VR mock-ups for clients and walk through them, literally, to make planning decisions.
Sister location: not the same old pizza
Did her grandfather grasp the concept? It would have been so cool. Which meant it was time for a demo of the project going to Sundance. In the demo room, Gray fitted me with an HTC Vive heet, Skullcandy headphones, and one wireless VR hand controller I only needed one for reasons that will become clearer in a moment. The project is a re-imagined high-end VR version of their popular horror story, Sisterswhich came out sisters vr walkthrough mobile VR last year and has now toppeddownlo.
The system was re-booting so I found myself in a very brightly lit white space with grid lines, fully expecting Morpheus to materialize and tell me my life had been an hallucination. Then the picture changed, and I was entirely surrounded by a darkly lit, creepy Victorian drawing room, all dusty books, red velvet drapes, an aged relative in oils framed on the wall and yes, a scary doll looking straight at me.
As I bravely moved around the room, gingerly exploring, just waiting for something to jump out of the bookcases and terrify me, I realized that the room was morphing according to my position inside it. The eye tracker enables the VR creatives to show the environment responding to the player. I noticed my hand was in shot, carrying a torch aka the HTC controller.
I turned it on, and something flew out from somewhere behind me. I turned around, completely freaked out, about to scream. Because I'm a scaredy cat, I took off the heet and headphones sisters vr walkthrough controller and murmured something like, "Ah, yes, I completely get the idea now," dying to continue with the interview, rather than see what happened next inside Sisters.
Before we could get back to talking, they wanted to show me an ambient VR experience, called Cafe Ame. This was a sit-down non-horror genre virtual world and apparently gentler on the nerves. Rain gently trickled down the windows.
The lighting was kind. It was a lovely place to sit. I looked up and ceiling fans created a breeze I swore I could feel, probably because I saw it move glassware behind the bar. Then I looked down and two long silver robotic arms inching towards MY coffee cup. What was going on? The cafe windows were opaque, I turned right and saw—to my extreme shock—not my reflection, but a robot looking straight back at me. Gray and Goldstein were smiling. How is it done? I go and do all the art in Mayathen tweak in Photoshop, and drop it all into Unity.
I'm not against using Unrealbut we'd need a much bigger dev team to support sisters vr walkthrough. And I'm not that into the high-definition, super-real environments. I like being able to play around and create something unique that's never been seen before. Having seen what's possible for high-end heets, in terms of the immersive environment, is it hard to go back to mobile? Goldstein wants to be pragmatic but the economics are pretty clear. Early adopters are used to spending money on games for the latest gear so they're more likely to pay for VR content.
There's also a period of education ahead for entertainment and advertising clients. Many of whom have just seen quick demos at tech conferences but not really tested this new world out on consumers. The game mechanics alone are so different. Mobile has one input, a high-end device has 15 or more. It's a completely different platform solution," said Goldstein.
Otherworld Interactive is an interesting counterpart to the frenzy of big entertainment giants staffing up to jump on the new VR bandwagon. It's small, nimble, does rapid prototyping and can complete projects in weeks unheard of inside a many-layered game giant. They are up on the latest tools because they're barely out of school, yet young enough to keep learning.
And, most importantly, they have a ton of imaginative ideas but no one to tell them it can't be done. It's their company after all. This newsletter may contain advertising, deals, or affiliate links.
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Which meant it was time for a demo of the project going to Sundance In the demo room, Gray fitted me with an HTC Vive heet, Skullcandy headphones, and one wireless VR hand controller I only needed one for reasons that will become clearer in a moment. You get the idea. It's real. And bloody scary. I jumped.
Five nights at freddy's: sister location - guide, tips, and walkthrough
So did the robot. I hurriedly took off the heet.
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